The program

Workshops &
Performances

Eight workshops across two days, led by facilitators from eight countries, three evening performances and the opening and closing ceremonies. Workshop places are chosen after registration — you will receive a form by email.

8
Workshops
3
Performances
2
Ceremonies

Day by day

The full schedule

06.11 Friday
18:00 – 20:00
Welcome & Registration
20:00 – 21:00
Orly Kovo, Nofar Drukman & Etay Sharon
21:00 – 22:30
07.11 Saturday
13:00 – 15:00
Shared Lunch
18:00 – 20:00
Evening break
Dinner on your own
20:00 – 20:45
By Aviva Apel-Rosenthal
21:00 – 22:30
Kan كان Veachshav
21:00 – 22:30
An ensemble from five countries
08.11 Sunday
13:00 – 15:00
Lunch break
Lunch on your own
18:15 – 19:30
Led by Orly Kovo & Nofar Drukman

Friday 06.11 · how it begins

Opening Ceremony

Orly Kovo, Etay Sharon and Nofar Drukman, organisers of the Brno Playback Gathering
06.11.2026 20:00 · Opens the gathering

Join us for a warm opening ceremony to welcome everyone, create our first connections, and celebrate the beginning of our shared journey. The ceremony will be followed by a special performance.

Held by
Orly Kovo Orly Kovo Actress, performer and Playback Theatre trainer

Orly Kovo is an actress, performer and creator in Playback Theatre since 2013. She creates, teaches, and conducts music and singing workshops in Playback Theatre, and facilitates playback theatre groups for adults.

She leads the Aspamia group and is the founder and director of the Let's Play ensemble. Orly is a Certified Trainer from CPT (Center for Playback Theatre), trained by Aviva Apel-Rosenthal. She is the co-founder and operator of ImprovisArt—an improvisation and playback theatre initiative—together with Nili Lubrani Rolnik since 2017.

She also leads The Blues chorus in Playback Theatre →
Nofar Drukman Nofar Drukman Facilitator, social entrepreneur and storyteller

Nofar Drukman is a facilitator, social entrepreneur, and storyteller passionate about creating spaces where people can connect, listen, and see each other in new ways.

As the founder of BeeFun Academy, Nofar brings people together through storytelling and improvisation, creating playful and meaningful experiences that invite connection, reflection, and growth. With a background in leadership, mentoring, and social impact, she believes in the power of stories to build bridges, open conversations, and bring people closer together.

Etay Sharon Etay Sharon Actor, facilitator and drama therapist

Etay Sharon is an actor and facilitator in the Israeli improv and playback theatre scene and a member of the ensemble 'Let's Play'. He facilitate the group 'Freeze-Be' and teaches Improv in Haifa. .

As a drama therapist, Etay integrates the art of theatre and performance with the empowering potential of creativity and spontaneity.

He also leads Space Jump — in Improv & Playback →
07.11.2026 Morning workshops
Portrait of Orly Kovo

The Blues chorus in Playback Theatre

Orly Kovo
Also hosts the Opening Ceremony — read the bio →

In this workshop, we will explore how the Blues chorus can deepen the emotional layer of playback, allowing the story to resonate not only through action but also through sound, musicality, and collective expression.

For playback actors, this form opens new pathways for listening, spontaneity, and ensemble awareness. It strengthens the ability to hold and support the protagonist while remaining creatively active on stage.

For performing groups, the Blues chorus offers a rich theatrical language that can elevate performances—creating atmosphere and emotional depth.

The Blues chorus is especially suited for reflecting the voice of the protagonist—giving expression to inner conflicts, social context, and unspoken layers of the story—while also functioning as a performative musical form that can be integrated into performances.

No previous experience in singing is required—only curiosity, openness, and a willingness to explore your voice.

Portrait of Stephen Meagher

The Golden Moment

Stephen Meagher

If you have ever been entranced by the watching of a playback story, you will know that at some point, there is a "Golden Moment" which elevates the story from the everyday to the realm of the universal. This moment is almost never the result of a clever word or phrase, almost invariably it is expressed in movement, emotion or music. Sometimes it is found in an easily identifiable conflict or climax, but often it arises out of the interplay on stage and can come and go without being fully breathed into life. In this workshop, we will explore story structure, embodied listening and being fully alive when the "Golden Moment" arrives. We will primarily focus on long form stories, but it is equally applicable to other forms.

About the facilitator

Stephen Meagher is an actor, improviser and theatre maker from New Zealand. He trained in drama studies at The Drama Action Centre in Sydney with Bridget Brandon, who co-founded Sydney Playback Theatre, the second Playback Theatre company in the world. He has practised Playback Theatre in Australia and around the world as an actor, conductor and teacher for over thirty years, as well as creating traditional and devised theatre. He has published articles in both the IPTN Journal and the academic world regarding the theory of Playback Theatre.

He currently lives in Berlin, where he is active in the Playback community and is a facilitator at Arthaus Berlin. His interests lie in using embodied and Jungian techniques with the processes of improvisation to access deeper layers of meaning, releasing states of flow and creativity. He is motivated by the search for universal stories.

07.11.2026 Afternoon workshops
Portrait of Anastasia Vorobyeva

Embodiment and Metaphor

Anastasia Vorobyeva

Our bodies are powerful, sensitive, and versatile tools for telling stories. Let's drop into, use, play with, enjoy, and see what emerges from our body.

Let it enable us to explore meaning and story by translating ideas and feelings into different types of movement — both concrete and metaphorical.

Strengthen arts practice skills
  • Develop deeper physicality and embodiment aesthetics as a universal language
  • Learn to better capture, transform and narrate the story's essence in movement, metaphor, body and space
  • Deepen presence, authenticity and ensemble work
  • Explore human connection, personal story, and the potential of embodied practice
  • (Re)discover skilful responses in motion, music, dance, and metaphorical realism
  • Experiment with the personal, social, cultural and political journeys of narrative
About the facilitator

Anastasia Vorobyeva is former President of the International Playback Theatre Network, a performance artist, trainer, and social theatre practitioner working internationally in the field of Playback Theatre and contemporary performance.

Anastasia is the co-founder of the VOZDUKH Center of Physical Theatre and has created numerous artistic and social theatre projects across Europe, the United States, the Middle East, Africa, and Asia.

Her work often focuses on trauma awareness, community dialogue, and the use of theatre and movement in psychosocial support programs. She has collaborated with international organizations and developed long-term art initiatives in marginalized communities, refugee camps, and post-conflict regions.

Portrait of Dr. Amani Mussa
Portrait of Nili Lubrani Rolnik

Hide and Seek — Across Languages and Identities in Playback Theatre

Dr. Amani Mussa & Nili Lubrani Rolnik

This workshop will hold space for the dynamic between cultural differences and shared cultural ground, inviting participants to explore how stories move across languages, identities, and cultural worlds. We will approach Playback Theatre as a creative playground where identities can appear and disappear, and stories can move between what is visible and what is hidden — between the foreign and the familiar.

Inspired by the role theory of Robert Landy, we will search within each Playback story for its living constellation of roles. Through movement and voice, we will practice shifting between roles — including counter-roles — allowing different qualities and identities to stand side by side. Enriched by the rhythms of folklore, voice, and musical expression, narratives will be invited to coexist and transform into collective art.

About the facilitators

Dr. Amani Mussa is a dramatherapist, lecturer, and researcher specializing in work with children who have experienced trauma and violence. She teaches in the Drama Therapy program at Tel-Hai College and in the field of Playback Theatre at Western Galilee College.

Dr. Mussa is a senior supervisor and subject expert in the Ministry of Education and serves as Chair of the Drama Therapy Division at YAHAT. Her work integrates research, teaching, and community-based practice, focusing on encounters between cultures, identities, and narratives through the arts and theatre. She is the founder and conductor of the bilingual Playback Theatre ensemble "Kan كان Veachshav", bringing Jewish and Arab performers together through shared storytelling and improvisational theatre.

Nili Lubrani Rolnik, now based in Frankfurt, is a theatre tutor, lecturer, and conductor specializing in Playback Theatre and physical theatre. She is the author of the Hebrew book Living in a Story – Playback Theatre and the Art of Improvisation.

Nili works as an artistic director of cross-cultural theatre projects, creating and facilitating Playback Theatre performances that incorporate improvisation in Hebrew, Arabic, English, and German. She is a founder and actress of the bilingual ensemble "Kan كان Veachshav" and a performer with ImprovisArt Ensemble.

She has taught improvisation and Playback Theatre in community, therapeutic, and academic settings, including at Western Galilee College. She is also a certified teacher of the Feldenkrais Method.

08.11.2026 Morning workshops
Portrait of Etay Sharon

Space Jump — in Improv & Playback

Etay Sharon
Also hosts the Opening Ceremony — read the bio →

Space Jump is a dynamic improvisational structure built on evolving stage images.

Through playful exercises, participants explore dramatic monologues, physical tableaux, theatrical entrances and exits, and jumps in time and space.

The workshop culminates in using the form to perform layered and surprising playback stories.

Portrait of Veronika Michovská

The taste of the Czech fairy tales played back

Veronika Michovská

We will dive into a few fairy tales written by the Czech writer Božena Němcová. Let's watch who is who — and who we are — in these beautiful stories, which carry hope across nations, no matter what culture you come from.

I will do my best to choose stories that are not widely known. Božena Němcová was a 19th-century writer who addressed many topics that are still important today.

About the facilitator

Veronika Michovská: I have been doing playback theatre since 2010, when I attended the first workshop at the School of Playback Theatre UK (with Amanda Brown and Alison Fairlove). I fell in love with it, so over the next few years I took part in a number of other trainings abroad in specific topics of playback theatre.

I brought playback theatre to the Faculty of Education, Masaryk University in Brno. In 2014, the group called Na-po-jen-i was established here in Brno.

To this day I work as a psychotherapist in the private and non-profit sector, and at the Faculty of Education — teaching applied drama, personal and social development, experiential education and playback theatre. I've also been part of the team for the international training in gestalt theatre therapy. Currently my main job is being on parental leave, and I enjoy this story a lot.

08.11.2026 Afternoon workshops
Portrait of Marat Mairovich

Hero's Path, The Beginning

Marat Mairovich

In recent years, the world has changed a lot; one might even say it is sliding into an abyss. In these times of transformation, change, and uncertainty, all of us are rethinking our perception of ourselves and the essence of what is happening, the future, and perhaps even the past. Music and singing can be a lighthouse in this stormy sea where the shores are not visible, because it is often the bridge between the conscious and unconscious.

In this workshop, we will all sing. We will search for our actual and inner voices to sing true stories. Those songs will be about what is important in our lives, about our internal compass, about those parts that have long been asking for attention, and about the happiness of release and breath.

We will learn the Playback Theatre Singing Form: 'Hero's Path, The Beginning'. This form will make it easier to play the story of transformation in our lives through singing.

For whom? For experts and beginners in Playback Theatre. Everyone can sing. All we need is the courage to start.

About the facilitator

Marat Mairovich is a musician and conductor from Jaffa, Israel. He has 29 years of experience in Playback Theatre. Marat leads different Playback Theatre groups, workshops, and courses in Israel within a social dimension: for the visually impaired, for immigrants, for war survivors, and others.

He performs and trains abroad (South Korea, Germany, Latvia, Ukraine, Georgia, Russia, Belarus, Turkey, Czech Republic, etc.).

From the beginning of Russia's invasion of Ukraine in 2022, for two years, Marat, together with his partner Andrei Utenkov, hosted a weekly Zoom meeting, "One and a Half Rooms at War," to support the Ukrainian playback community. He also visited and performed in Ukraine during the war a few times. Marat professionally plays the violin, piano, synthesizers, guitar, and percussion.

Portrait of Eduardo Castro Neves

To Carry & To Be Carried

Eduardo Castro Neves

What happens when quieter voices are overlooked or overrun by louder ones? How much space do we give to others, and how much space do we allow ourselves to take — in life and on stage?

In times of growing polarisation, separation, and disconnection — shaped by the speed of life, political realities, and the ways people relate to themselves and others — sensitivity and awareness can fade. How are we listening to one another? Are we truly making space for others or simply pushing through without noticing those around us?

This workshop explores spatial, physical, and emotional awareness through movement, presence, and dialogue, inviting participants to reflect on how we listen, how we support, and how we carry and are carried. Through embodied and relational exercises inspired by improvisation and movement practices, participants will deepen their perception of self and others while experimenting with ways to bring deeper listening, awareness, and connection into their Playback Theatre practice.

About the facilitator

Eduardo Castro Neves is a Movement Artist, Playback Theatre Trainer and Dance Therapist from Rio de Janeiro, recently back in Frankfurt.

With an international career in Contemporary Dance and Physical Theatre, he discovered Playback Theatre as a powerful way to weave artistry, healing, and social change. In his workshops and performances, Eduardo blends his experience as a Somatics Practitioner with Choreography, creating spaces where people can raise their voices, explore their stories, and connect with one another in a safe space. His work fosters empowerment, reflection, and transformation, inviting individuals and communities into deeper creative expression and collective growth.

Evenings

Performances

Opening Performance

Aviva Apel-Rosenthal

Storytelling

By Aviva Apel-Rosenthal

In this personal storytelling talk, Aviva shares highlights from her artistic and international Playback journey — a few formative stories from her early days as a Playback conductor, how deep stories resonate on stage, how she follows inner impulses, and how broken narratives can transform into something whole and healing for tellers, audiences, and actors alike.

We'll end with a short Q&A or a playful jam.

About AvivaActress, theatre director, founder, conductor and artistic director of PLAYLIFE PBT Company since 1991. Past President of IPTN and CPT leadership teacher. For more than 30 years she has been teaching and training playback around the world.
KAN VEACHSHAV ensemble performing

SHAM EL HAWA

KAN كان VEACHSHAV · Arab–Jewish Women Playback Ensemble

A multilingual playback theatre performance born from the meeting of different religions, histories, and lived identities.

KAN VEACHSHAV invites audiences into a shared space of curiosity, listening and encounter. Created by women from Arab and Jewish communities, the performance explores what becomes possible when different voices, memories and perspectives meet in the present moment.

Audience stories become the starting point for live improvisation through voice, movement and song, as Arabic and Hebrew intertwine into a "third language" of rhythm, tension and connection.

What unfolds is not harmony and not conflict — but the space in between: shifting, fragile, alive.

"Sham El Hawa" (Arabic) means "to smell the air" — to step outside certainty, to sense what is present, to breathe what cannot be fully explained.

KAN VEACHSHAV performs for peace organizations, community groups and audiences interested in dialogue, cultural exchange and human connection.

PerformersRaheeq Haj Yahia Suleiman · Hila Habba Ashkenazy · Ketty Deeb · Nili Lubrani Rolnik
ConductorAmani Mussa
MusicUri Parnes
LanguagesArabic · Hebrew · English and more
Traileryoutu.be/d5LcYClNQSo
Lost in Translation ensemble performing

Lost in Translation

We are a Playback Theatre ensemble brought together from five different countries, cultures, and languages. What unites us is not only our passion for storytelling, but also our experience of migration, relocation, and finding our place in a world that often feels both connected and fragmented.

Each of us knows what it means to cross borders — geographical, cultural, and emotional. We know the feeling of arriving somewhere new, learning unfamiliar codes, navigating different languages, and trying to build a sense of home between worlds.

For this performance, we invite you to explore the theme Lost in Translation.

Not only the moments when words fail us, but also the experiences, emotions, memories, and identities that resist easy translation. The misunderstandings that separate us all as humans. The unexpected connections that bring us together. The stories of leaving, arriving, belonging, and becoming.

Because sometimes the most important things are not what gets translated perfectly, but what is understood beyond words.

CastAnastasia Vorobyeva · Yuliia Terentieva · Eduardo Castro Neves · Marat Mairovich

Sunday 08.11 · how it ends

Closing Ceremony

08.11.2026 18:15 · Closes the gathering
Orly Kovo & Nofar Drukman

We will conclude the gathering with a heartfelt closing ceremony, inviting us to reflect, gather our shared experiences, and say goodbye together. The ceremony will be facilitated by Orly Kovo and Nofar Drukman.

6–8 November 2026 · Brno

Come and play with us

Registration is open.

Support a Friend · 250 €Covers part of a place for someone who cannot afford the fee.

Includes one shared lunch, not accommodation.

You will receive a form by email to pick your workshops once your registration has been processed.

Register now→